Make sure that the iLink is turned OFF from camera.Ģ.
iLink is known to cause issues with capture with various professional editing software. Make sure you are using simple Firewire capture mode and not the iLink CONV mode. However, as the camera is being detected by Premiere Pro, we can try the following steps to try make sure that it works with Premiere Pro.ġ. I understand that this is working fine with iMovie, however Premiere Pro works on different set of resources. So this is quite possible that this camera is not compatible with Premiere Pro CS4. This particular camera has not been tested with Premiere Pro CS4. I have checked all the details regarding this. I checked the issue that you are facing with Sony cam with Premiere Pro CS4 and you are unable to with that. I tried calling you on the number: xxxxxxxx, however I was not able to reach you, so I left a VM.
I am the Senior Technical consultant for Digital Video. This was the broken 'English Tech Support' reply I got from Adobe, a reply incidentally that seemed unable to understand my detailed correspondence regarding my set up.:. why was it that Adobe did not run their sales through these OS Centers. I sent an email to Adobe's Sydney office complaining about being sent to a call center OS and trying to communicate with their Technical personnel whom not it seems understand my English nor I his version of English, I asked Adobe if these OS Call Centers are so good. Regarding your suggestion regarding Apple's ProRes 422 codec, apparently it's already installed? Thanks for your response, sorry I did not get back to you sooner, I've just had a killer flu. from the beam me up Scotty, no signs of intelligence (there)
is there a driver or something that will fix this problem?īeam. So who's fault is it, Sony, Apple or Adobe I believe it's Adobe's, and more importantly, can anybody out there please help. so I reasonably figured there would be no problems there. The Sony HDR-HC1E camera I own predated the Adobe Master-suite CS4 I bought.
I bought my MacBook Pro (Unibody 2.93 GHz Intel Core 2 Duo 8 gigs RAM and a 320 gig 7,200 drive) believing that Adobe and Mac had a long relationship and worked well with each other I'd after 12 years of PC thought Mac would do it better. Not only that, did Adobe not test the Mac version with the Sony HD cameras that were available at that time? so I somehow doubt it will run on a PC even if I had one.
Now I'll point out a couple of things, firstly I bought a Adobe Master-suite CS4 for my Mac OS X.
If you have a windows computer then please try to capture on windows and use a third party softwae (their spelling not mine) that is HDV Split." We did some research and found out that the issue that you face with capture is a known issue and is common on a mac computer. In reference with the issue of Premiere Pro. "Thank you for contacting Adobe Technical Support. and ended up talking to people who not only could I not understand their version of 'English', but they were almost as incapable of understanding me hey we've all been there!Īfter several attempts I finally after a month received this 3 rd answer:. So I contacted Adobe for some Tech 'Support'. i.I am not having much luck capturing HD from my HDR-HC1E using Adobe Premier Pro CS4 (huge understatement).Key Terms: aspect ratio, rule of thirds, foreground, background, color, tone, contrast, cropping, depth of field, field of view, types of shots include: close-up (CU), extreme close-up (ECU), medium close-up (MCU), medium shot (MS), wide shot (WS), long shot (LS), extreme long shot (ELS), background (BG or bg), foreground (FG or fg), over-the-shoulder (OTS), point of view (POV), cutaway, etc. Define common photographic and cinematic composition terms and principles. Key Concepts: sequencing shots, cuts (L and J cuts, cross cutting, match cuts, cutting on the action, cutaway, montage, jump cut), transitions, compositing, audio levels, mixing, background music, narration, sound effects, still images used in video (file formats and image specifications), titles Identify general editorial principles and guidelines for video. Key Concepts: following the action leading in and out of shots to give editors time to cut matching shots zooms and pans wide vs. Communicate visually using standard film/video timing techniques. 1.5 Demonstrate knowledge of basic editorial principles and best practices employed in the video industry.